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Rosso Fiorentino
Madonna and Child with Putti
c. 1517
Oil on wood, 111 x 75,5 cm
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Rosso Fiorentino
Madonna Enthroned with Four Saints
1518
Oil on wood, 172 x 141 cm
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Rosso Fiorentino
Musician Angel
c. 1520
Tempera on wood, 47 x 39 cm
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Rosso Fiorentino
Dead Christ with Angels
1525-26
Oil on canvas, 133,5 x 104 cm
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Rosso Fiorentino
Risen Christ
1528-30
Oil on wood, 348 x 258 cm
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Rosso Fiorentino
Madonna Enthroned between Two Saints
1521
Oil on wood, 169 x 133 cm
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Rosso Fiorentino
Madonna Enthroned and Ten Saints
1522
Oil on wood, 350 x 259 cm
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Rosso Fiorentino
Marriage of the Virgin Mary
mk83
1523
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Rosso Fiorentino
Deposition
mk83
1521
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Rosso Fiorentino
Deposition
mk86
1521
Oil on wood
333x195cm
Volterra Pinacoteca Comunale
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Rosso Fiorentino
Moses Defending the Daughters of Jethro
mk156
1523
OIl on canvas
160x117cm
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Rosso Fiorentino
Portrait of a Kinight
mk170
1520-1522
Oil on poplar
96.8x76.2cm
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Rosso Fiorentino
Musical Angel
nn09
c.1522
Tempera on wood
39x47cm
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Rosso Fiorentino
Luo rope Habusibao Feir Naduo
mk261 1525, Liverpool, Merseyside County National Museum and Gallery
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Rosso Fiorentino
Moses defending the Daughters of Jethro.
Date between 1523(1523) and 1524(1524)
Medium Oil on canvas
Dimensions Height: 160 cm (63 in). Width: 117 cm (46.1 in).
cjr
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Rosso Fiorentino
Madonna Enthroned and Ten Saints
Date 1522(1522)
Medium Oil on wood
Dimensions Height: 350 cm (137.8 in). Width: 259 cm (102 in).
cjr
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Rosso Fiorentino
Daughters of Jethro
between 1523(1523) and 1524(1524)
Medium Oil on canvas
cyf
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Rosso Fiorentino
Madonna Enthroned and Ten Saints
1522(1522)
Medium Oil on wood
cyf
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Rosso Fiorentino
Marriage of the Virgin
1523(1523)
Medium Oil on wood
Dimensions Height: 325 cm (128 in). Width: 250 cm (98.4 in).
cjr
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Rosso Fiorentino
Descent from the Cross
1521(1521)
Medium Oil on wood
Dimensions Height: 375 cm (147.6 in). Width: 196 cm (77.2 in).
cjr
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| Rosso Fiorentino
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Italian Mannerist Painter, ca.1495-1540
Born in Florence Italy with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. In late 1523, Rosso moved to Rome, where he was exposed to the works of Michelangelo, Raphael, and other Renaissance artists, resulting in the realignment of his artistic style.
Fleeing Rome after the Sacking of 1527, Rosso eventually went to France where he secured a position at the court of Francis I in 1530, remaining there until his death. Together with Francesco Primaticcio, Rosso was one of the leading artists to work at the Chateau Fontainebleau as part of the "First School of Fontainebleau", spending much of his life there. Following his death in 1540 (which, according to an unsubstantiated claim by Vasari, was a suicide ), Francesco Primaticcio took charge of the artistic direction at Fontainebleau.
Rosso's reputation, along those of other stylized late Renaissance Florentines, was long out of favour in comparison to other more naturalistic and graceful contemporaries, but has revived considerably in recent decades. That his masterpiece is in a small city, away from the tourist track, was a factor in this, especially before the arrival of photography. His poses are certainly contorted, and his figures often appear haggard and thin, but his work has considerable power.
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